| Today we will explore the topic of why things that should be serious are so often intrinsically funny. **Advisory warning: This post may be offensive to Catholics, modern art lovers, and Wile E. Coyote. Read at your own risk.** The pope, for example, is the pinnacle of all things serious, important, and holy. Which is why he wears the Pope Hat. Don't laugh. It's a timeless statement about tall pointiness, which has more significant theological implications than Martin Luther can shake a stick at. Still, the Pope Hat looks like the product of a practical joke, something a mad Italian hatter invented after a few too many glasses of Chianti. Can you imagine the President of the United States giving his State of the Union speech wearing the Pope Hat? No, because even he would be laughed out of office. If your boss walked into your workplace wearing that hat, he would be arrested, because that’s what happens when you steal the Pope Hat. But even before the crack team of Uzi-wielding Swiss guards could drop him to the floor, everyone in the room would be weeping with laughter, because no matter how you slice it, that’s one funny-looking hat. Of course, one funny-looking hat is not enough. That's why the pope has several other options from which to select, depending on the mood and the occasion. Santa Claus Pope (it's called a "camauro") 
Rodeo Pope (this one is a "saturno") 
And when his own collection runs short, he can borrow from other fashionable sources, such as the nearest Russian army officer.
The pope also has many astonishing powers, including excommunication, which is slightly less visceral than having rocket launchers mounted on your car, but eminently more portable. He also officially has the amazing talent of never being wrong, which would be much more useful if he could get married. Something else that shouldn’t be funny, but is, is the sight of sudden unexpected pain inflicted on a stranger. How many movies are built entirely on this premise, succeeding with no redeeming plot, dialogue, or even cinematography? But who doesn’t laugh when Tommy Boy gets nailed by a steel I-beam? And doesn’t everyone love the hapless expression of Wile E. Coyote as he realizes he’s about to be scorched to an existential husk by his own Acme Dynamite Slingshot? 
What’s funny about a small animal being blown up? The answer, clearly, is everything. Another thing that falls into this category is abstract art. As in, “they paid how much for that jar of urine?” I like abstract art, but sometimes people get carried away. We are speaking here about such works as “The Lights Going On And Off”, as featured in a Dave Barry column, which could be mistaken by those with a tragically plebian shortage of artistic perception as simply an empty room where the lights go on and off. We are also speaking about works of art where the artist achieved his breakthrough technique by dipping stray cats into buckets of paint and using a specially designed trebuchet to fling the cats across the room at a canvas, or on a bad day, his ex-girlfriend. I don’t know for certain that this has actually been done, but I would bet that not only has it happened, but that the NEA funded the construction of the trebuchet. The only thing funnier than abstract art is the people who don’t really get it, but pretend to in order to appear enlightened. They can be heard to offer up such well-bred comments as, “Yes, that is certainly an excellent expression of the condition of the primal human animal, vituperating against the artificially imposed restraints of civilized society. I love the way the crucifix form has been subtly interwoven with the strands of fur.” Of course it goes without saying that the cat is a perfect metaphor for civilized society, what with the Egyptians and all. I think I will stop writing now and get to work on my next painting, “Pope on a Hot Tin Roof”, which I will create by dipping the Pope in paint and dropping him on a canvas stretched over a trampoline. It will be a very serious piece. |